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Posts Tagged ‘Mirrors’

Nicodemus and the Metallic Mechanical Whale

May 18, 2011 5 comments

There is sterility in travel.

In the life of a transient
flyers are more attentive
more available than a mother
they cling even while you pretend to slip
their salutations through the sweatiness of a smug
refusal to their hand-out
smiling aimlessly into guilt.

Xeroxed remindful-ness
nonsensical rhymes like the gossiped
3 little pigs
waiting for wings
with the at last wolf’s huff
puff
scatter
lift
fall
litter
In some states, the crack Nicodemus cooks
over an imagined 3D fire,
Peddling flyers is illegal.

A private high to renegotiate with useless ribbons
dyed in cheap concoctions
breaking the pattern of dancing alone
2 left feet in clowning lady bug red slippers.

Balancing the morning’s potential
Nicodemus takes another sip on a foamy avoid
and another automatic take leads to a non-seductive pull
pushing out a fog of little things
then freestyle walking with the others
to the metallic mechanical whale in leather
Italian shoes–a hurtful gift to walk into–
an awkward promise
too expensive for a puzzle
too complicated by childlike bawlings
too put together for an unfinished look:
should Nicodemus get a gentleman’s hair cut
some new gentleman’s clothing
maybe a recycled seran wrapped ear-piece
a hobo’s cup maybe?

Nicodemus finds a gigantic white suit to walk behind
a gorilla godzilla weaving through the crowd of modern mules
with galloping torsos
the elephants leap over the zebras
shitting on themselves
racing to the elevator
where the monkey grins
an inaugurated show of white teeth desperations
drones away
pushes the button

to the metallic mechanical whale
we go
we go
we go
they sing
hungover
asthmatic
xenophobe claustrophobics
zip locked into nooks and knots
there is no air left in the X-box
the shouldered remains are an exchange
borrowed perseverance
sweetness to lull sensibilities senseless.

Nicodemus makes perfect penmanship:
One last cry to say goodbye…
Those left behind
with bed sheet creases to line their faces
forever looking for that mirror
to say, to say
goodnight sun
say goodnight.

Descending deliberately deeper
into the belly
an impatient metallic mechanical whale
gives many times to prepare
assorted ornaments for listlessness
discarded in a jungle of little things.

Words to blacklist, like Polished
error free sentences.
Can words collect filth
can they take a bullet?
I’ll wash, then, hang them out
on my bambooed words line.
I’d like to hang ORIGINAL out to dry.

Now BRILLIANT is a word
worth moving your lips to
Drunk
ard
bRIL
LI
ANCE!!

To lose all your teeth–
Just BRILLIANT!

A day can conceive a Jezebel–
BRILLIANT!

A day can turn on a not so clever Jezebel–
BRILLIANT!

To Jump like Christopher Robbin’s Tigger–
BRILLIANT!

Sing Hoorah like a Pooh Bear–
BRILLIANT!

We all fall down–
Absolutely BRILLIANT!
The metallic mechanical whale comes
just whimper like a Piglet

RED LIGHT
GREEN LIGHT

We all fall deliberately further
into the belly of the whale
it eats up time
racing through a riptide void
it comes up for air on 125th
then dives back into
BRILLIANT!

To avoid everything shameful
in a little thing as a look can reveal
while riding the metallic mechanical whale
Nicodemus discovers the wonders of anonymity.
When asked why the dark shades
Nicodemus, irritated, takes them off and renders:
There’s nothing worse than a loquacious eye
blinking when they’re unsure of what’s coming
backstabbing eyes
darting back into tortoise shells of
Of Course, Of Course!
Indeed, Indeeds!
One day
we’ll congregate in the metallic mechanical whale
wearing nothing but baby powder. And in a circle of all of us
we’ll each have turns
Saying, “TADA! Think Josephine Baker.”

Wearing necessary discoveries
Nicodemus becomes a fly
on a wall in a room
the whale’s hard plastic mirrors
gives many eyes as a fly
on a wall in a room
witnessing the fleeting speed of gossip
spying for secrets:
knickers exposed
mouths open
buggered noses
Nicodemus the ethnographic scientist:

What’s the difference between
a zombie in a zoot suit and a bullfrog
hoping, hoping, to make it to the nearest exit?

Hushed! into a little thing
fitting nicely in a palm, in a pocket
iPods, discmen, walkmen hands
bury the most imitated moment
the intoxicating high of death.

Hushed! into a little thing
Nicodemus mediates electric
staring at Billy Graham’s poster
“God. Loves. You.” Next to graffiti scribbles
“Are you a sinner? I’m afraid so!”

Magnetic in the fingers
toes
weird looking circuits
hungrily standing bold
burning on the chest.

Caught in fitful fantasy
the main event explodes
as shoulders are gone first
showing off an offering
tap
tap
tap
yes
yes
yes of the feet and head in deserted praise.

In the belly of the metallic mechanical whale
it eats up time
blue lightening
thundering through caves.
Another whale rides next to Nicodemus’s.
Looking in
seeing nothing but an overpriced pastry dish
Nicodemus diddles:

Just as neighbors ought to be
this is yours and this is mine
we’ll be pleasant in the living area
and say, “How do you do?”
We’ll each have our own cupboards
to put the complaints in.

Falls Apart like Things

April 22, 2011 5 comments
Single- and double-breasted suit comparison

Image via Wikipedia

can’t name that song
can’t say who it’s by
it isn’t my own.

The sound that isn’t mine
built itself in the walls of my jaw
built on fingered garlic stains
sweaty brown, stewed chicken hands
preparing somebody else’s dinner

haunting me as night falls
telling me, You should sleep
tomorrow when it’s today again
you’ll wake up better than me.
Hopefully…
You’ll calm yourself
and and and and and
fly further than me
as you follow the smell
the seasoning of a song
as everything inwards
while you’re looking the other way
presenting yourself
falls apart like things
not just yet anyway
.

Θ

I woke up trying on a selfish hand me down
an inappropriate pass
an indifferent kind of sameness

instead of instant black coffee
I tried bit by bit
eating a tear
soon be decayed
teeth makes
from a toasted cream cheese bagel.

Is it nerves, my mother’s bad nerves?

The yellow transit of racing taxis
wisp by my self actualized step
down the side walk into speeding traffic.

Walking into this is it?

Θ

I took too many as directed
trapped on a trampoline
I fooled myself I could get off.
I’m faded fast Scarlet
crazed, faded fast Scarlet
bazodied deliberate
uncertain on how to walk
a mouse in a crowd of over sized designer shoes

there’s never enough square feet
between a strange hand and your ass
Scarlet.

Θ

Dismembered by space
room-less as I become
incompletely dressed
on the subway
in a business suit.

I’ll get use to shame
and hide in a secret:
mischievous looking doll faces
hoping for new eyes.

Ugly

April 12, 2011 Leave a comment

the fiend my little brother lives off on
offering up a sickness in derelict exchanges
a fiend even after a desperate hop
reveals more than a casualty of carelessness

we’ve smelled this desperation before
that infested dying still living smell
the overnight stink of skin being stretched
drained by dehydration
we’ve smelled this fear on dead uncles
but knowing never changes anything
even when we want to believe

daily, i wonder what emotion he tries to disguise
looking over his shoulder, my little brother
i wonder about his thoughts on this happening
what he notices first in the unfocused
shaky hands passing crumbled dirty dollars
i wonder what he smells
from a bloc away, a nothing to lose next
frying a hold-on un-epic explode
a fiend’s however brief brush with death
appeasing a codeine crash for an authentic
amnesiac expectation that trips on nostalgia

leaning against an absent wind
what use to be a walk
falters to maintain a stroll
and from a mile away
i see my worth being counted
against a counterfeited line full of mirrors
a prefect-fix aligning my words correct
making sense of paper-bagged exchanges

Chapter 3. Revised

February 20, 2009 7 comments

See Chapter 1 & Chapter 2.

De moon had settled itself dat night in de middle of de sky so everybody could see it. De neighbors were comin out with dere Vat 19th and Coca Cola. Somebody with ah spoon–ah melody pulsatin on half ah bottle. De quarto player was takin another sip. Feelin de spirit, he play ah devil of ah tune. From house to house, dey moved with gaiety in deir steps and was greeted with de smell of cloved ham, fruitcake and sweet bread. Little children yelled out to deir mothers dat de parang players are here.

Even dough tings were as dey were–poor people still strugglin to make ends meet–dat Christmas in ’78, it seemed as dough God was lookin down on we. We still was poor, but people could at least afford some new paint for de steps, and some new curtains to replace dem old ones dat we just take down, wash, and put back up. It was all because dem white people was all of sudden interested in de oil in Fyzabad. Now dat was Christmas. Even dough tings was dare, people could taste a real apple and a pear, just like in de States. Yeah man, it was nice dat year Njeri turned two.

“Where you think you going Achaia.”
“I goin wit you.”
“What, lookin like that…”
“And who to blame for dat…” Quiet.  Brisk footsteps.
“Ah sorry…Ah didn’t mean dat Comrade.” He cuffs her down.  Quiet.
“Don’t ever talk to me so.”

She holds her belly, and withdraws into a ball.  He turns away and lights a cigarette. She listens to his footsteps, slapping the pitch, walking hard towards his 280 C.

As the car speeds away, a boy, a skinny little boy, in khaki shorts, runs out the house. He leaves behind his sleeping sisters, Serena and Njeri. His bony arms struggle with the intention of saving his mother and the baby inside of her. He pretends he has the Incredible Hulk’s arms, strong enough to carry her pregnant body to the verandah, and then to safety: his parent’s room.  Finally, he begs, “Mammy,” he begs, “per yuh hand on de gate.”

Carefully, they walk to the concrete steps where they both sit and wait in silence. He rests his arm on her shoulder. He stares at her as she props her head showing off her heated face. He stares at her tears rolling down her cheek, and he says what he always, “Mammy, doh worry, wen ah get big and rich, I go take care of you.”

Short breaths escape from the other room’s wooden walls; the sound of her hand soothing her polyester belly; buckets being filled with water, restless with splashes, chatter, giggles from women and children by the standpipe outside; and the occasional car up-heaving the dust from the road; completes the air. Lost to the ruffling of sheets, as the boy sits up and asks, “Mammy, daddy doh love you no more?” With her puffy red eyes, she says, “Wary, I doh know,” and sighs to a spawning cobweb in the wooden creases of the galvanized roof.

Exhausted, she pulls Wary to her chest, and says, “Look how tings change now. Ah remember wen yuh fadder wouldn’t even let a fly light on me. Huh. Now he is de fly.” She caresses the burning pain swollen across the left side of her.  ”Ah remember how he use to get on like ah was de only one for he.  And yuh believe ah didn’t even like he damn black ass. He look like he had wife and child already. Ah remember it good, all de talk bout me runnin him down.” She says sucking her teeth, then, amused she gives a slight grin and says, “Ah remember wen he come by meh house for de first time. He make bout fifty-nine trip up and down my street lookin for meh house. Ah was laughin at him. Ah tell meh cousin Theresa, yuh see dat jackass walkin dey, he lookin for me.”

I’ve been warned. The same brain that houses the mind that keeps the record of every action, interaction; so that the same mind can repeat very loudly while one’s alone in that house, with just its voice, comparing, juxtaposing any and everything of a past record with the present log of daily events.  This same mind created itself a voice.  A voice that is taunting me with doubts about how much I can be so unsure of the existence of God yet still want to live.  Especially in the company of dead lizards, sleeping with something so crippling as the web of a spider,… is

I’ve felt this before.  I’ve seen this happen.  The satisfaction in losing it to a buried gratification: destroying something I had a hand in creating. Letting it all go to a tiny trifle, to base all my regrets on and ultimately kill. Especially since I’ve put so much hope into such a fantasy.

I’d wake up and find Pieta, my only reason to be better. A fantasy so fruitful, it made me less jaded to fantastic dreams of us aging blissfully, tolerating each other’s nonsense. I leaped in, believing in magic.

I can’t stop staring at the videotape leaning there on the bookshelf. The videotape Pieta made of us having sex. She thought it would be fun, since it was in the back room of the bookstore where we worked. It was going to top that time in the park or that late night on the red line train.

I was twenty-one, so perhaps it was just like the infatuation you’d find in a Jane Austen novel. I fell for the way her eyes hid behind her tangled black hair. The teasing way she said hello, goodbye or anything at all. I had to avoid her gaze when she spoke to me. I felt that if I looked her in the eye, she’d see everything inside of me, the memories I suffocated and drowned unsuccessfully. In those stupid moments, I wanted to make her happy.

Yes.  All I wanted was to make Pieta happy.  “Really, this is what you wanted? Hahaha.”

When I first saw Pieta Melendez, she walked into the bookstore where I worked after classes at G.W. and on the weekends.  I acted indifferent when she asked if we were hiring.  As  she rummaged through her purse for a pen to fill out the application,  I pretended not to be distracted by her perfume.  It dominated everything I’d smell for the rest of that evening. I was already so infatuated that I kept her application, and threw away the rest.  I read her answers, and kept recreating who she was. Who she might be.  I neatly placed Pieta’s in Roger’s mailbox with a note, “She sounds prefect for the position in Inventory.”

I was in a cloud somewhere, fanciful, floating around with the idea that it was better to see her everyday, to witness her peacock dance than having to deal with the disappointment of never seeing her flair her colors ever again.  I felt I could live with this compromise.  Compromise, because I had suspicions, that she had some boy lurking.  And my suspicions were right.  There was a boy.  ”Well of course… idiot!”

Six months later, and winter was nearing its end, Pieta and I had only been seeing each other for two months when I finally revealed to her how I truly felt, that I was already in love.  She told me she felt the same.  I was in la-la-la land.  I knew she was still sleeping with her ex-boyfriend.  She lied about those nights when she wasn’t developing her photos in her father’s basement darkroom.  She was over at Darren’s.  But I was in la-la-la-land, believing her every word. I even tried to forget when Darren started leaving me messages, “Dyke bitch, you’d better watch your back.” I should have ended it then.  She finally confessed and told me, she was still sleeping with him.  A man who threatened to kill me every night she wasn’t with him.

“Mail the tape.” I pick up my address book, and flip through the pages until I get to M. I see her hand writing. Her name: Pieta Melendez.  Her address: 3803 Brentwood Ave, Silver Spring, MD 20222. I throw the book in a corner, and I hear his teasing:  “I knew you couldn’t do it.  You’re such a coward.”

I take a swig of J&B, and contemplate sending the videotape to her parents.  It fills me with a sort of grace, a chameleon grace. I imagine the gratification of exposing her secret.  This reclaims the surrender I’ve been wanting. I put out my last cigarette on the icy ledge. I take another swig, hoping it is enough to preserve this now invigorating hate, drowning the memory of her indifference.  As I remember her walking into the Warehouse Next Door’s back stage.  She’s holding a drink that she occasionally sips. Choking, I try to cough it up.  But the memory keeps me still, as beads of sweat run down my torso.

This want wasn’t overnight though. All the reasons I should use this tape is a bridge, leading to more than Pieta’s pretty mouth. I’ve seen more. The secrets I hushed into a ghostly room, ransacked now when I had let her in.  I fear this gratification would change me into something I ran away from. A million miles away.

This same mind of mine that created itself a voice, solely searches for just these pieces that are meant to kill, and throws them like sharp daggers at me. And I’m in that dream again, dreaming of death no longer a million miles away.

I couldn’t hold her anymore, like the time Dr. Parrot–he has a funny mustache and a white coat and was taller than me, taller than everyone–said my mother was having a nervous break-down. I remember this, but it feels like a dream, seeing my mother drooling one sided on a white pillow, sleeping. Talking to herself, sleeping. She couldn’t recognize any of us at the hospital, and even when we brought her home. She screamed at me to stop following her, as she crashed into the corridor’s green walls. She believed I was the demon walking behind her every step.

She cried everyday then. At night, I’d keep her company. Climbing into her bed, my seven year old arms tried to reach each other as I held her. Too small for her, I still held on, so she won’t fall, saying, “I’m here, so never let go.” Every time I remember this moment, I’d hold on whispering in her ears, “Forget about him.”

Taller now, walking, leaving, closing doors behind me. With long legs, running faster than words, when words are too convincing, I have long legs faster than his words, “I didn’t do anything to your mother;” and her nonsense, whispering without a body. I am faster than her slippers, dragging in the darkness. When I have long legs to outrun them both.

But how do you successfully outrun them, when you can’t even measure their volume? How do you find the circumference for their pain and speak of it? How do you measure it, as their sound is louder than your own words? I open my mouth to scream, but nothing comes out.

This hate, this want for revenge, all of it makes complete sense. Or does it? Maybe it’s still a fabrication even when I want to realize the desire. Layering with every move I make. I see it everyday setting in, troubling my eyes particularly. I feel it now illuminate the moments I wait… When no one is there, tolerating the sun dimly shining through the sheets. When each day is as identical as the last, I arrive from the hidden: blood-shot and blue velvet. Greeting another morning the Lord has so graciously made with nocturnal eyes. I’d look to the medicine cabinet’s mirror, only to shun the confused image. Haunting me from skyscraper windows trying to keep clean, trying to surpass each other, I’d struggle to refute its reflection. I’d see the patch filled gray, halfway configured shadow, behind me, reflected through the steel of the Metro machine. Sharply shifting out of focus–impatiently waiting as I take too long to buy my fare card–I’d feel it wanting that closure of being numb. Being dormant for however long, only to be roused again by a variety of details my mind collected.

I drink the last of the whiskey, and I suddenly know why I get up every morning: to ride the overcrowded so-called greatest trains in the US.  Greatest, because they work 24-7, even when it takes forever to come, you can’t understand the conductor announcing that it’s not the train you believe it to be, and the transfers, the circles you make to get to your destination.  When, at the end of it all, hope will outlast me. Coming to any room with a mirror, I imagine leaping out, letting hope outlast me.

The phone rings, and without looking, wanting it to be Pieta, I answer.
“Hello.”
“Jeri? It’s Gary. What happened today, I was expecting to see you at 5:00. Is everything O.K.?”
“I wass real ly ti red after the tripp. Guesss I over sslept.”
“It sounds like you’ve been drinking. What happened in D.C.? Sorry I didn’t pick up last night when you called. We could meet somewhere and talk if you like.”
“Can I call you back?”
“Why, what’s going on?”
“Leymme call you back.” I hang-up.

The phone rings, it’s him again.  I sit staring at the phone, confused by it’s urgency, about whether or not I should answer it. I get the feeling something bad will happen if I don’t.  I light another cigarette and watch the superstition float around the room in circles.

Chapter 3

November 15, 2008 3 comments

This is the third installment to Chameleon Grace.  Here’s parts 1 and 2.

De moon had settled itself dat night in de middle of de sky so everybody could see it. De neighbors were comin out with dere Vat 19th and Coca Cola. Somebody with ah spoon–ah melody pulsatin on half ah bottle. De quarto player was takin another sip. Feelin de spirit, he play ah devil of ah tune. From house to house, dey moved with gaiety in deir steps, and was greeted with de smell of cloved ham, fruitcake and sweet bread. Little children yelled out to deir mothers, dat de parang players are here.

Even dough tings were as dey were–poor people still strugglin to make ends meet–dat Christmas in ’78, it seemed as dough God was lookin down on we. We still was poor, but people could at least afford some new paint for de steps, and some new curtains to replace dem old ones dat we just take down, wash, and put back up. It was all because dem white people was all of sudden interested in de oil in Fyzabad. Now dat was Christmas. Even dough tings was dare, people could taste a real apple and a pear, just like in de States. Yeah man, it was nice dat year Njeri turned two.

“Where you think you going Achaia.”
“I goin wit you.”
“What, lookin like that…”
“And who to blame for dat…” Quiet.  Brisk footsteps.
“Ah sorry…Ah didn’t mean dat Comrade.” He cuffs her down.  Quiet.

“Don’t ever talk to me so.”

She holds her belly, and withdraws into a ball.  He turns away, and lights a cigarette. She listens to his footsteps, slapping the pitch, walking hard towards his 280 C.

As the car speeds away, a boy, a skinny little boy with clapping slippers and skin-fitting khaki shorts, runs out the house. He leaves behind a room occupied with the short breaths of his sleeping sisters, Serena and Njeri. His bony arms struggle with the intention of saving his mother, and the baby inside of her. He pretends he has The Incredible Hulk arms, strong enough to carry her pregnant body to the verandah, and then to safety, his parent’s room.  Finally, he begs, “Mammy,” he begs, “per yuh hand on de gate.”

Carefully, they walk to the concrete steps where they both sit and wait in silence. He rests his arm on her shoulder. He stares at her, as she props her head, showing off her heated cheek, over her beautiful face. He stares at her tears meeting the steps’ surface, turning into red circles. And he says what he always say to her, “Mammy, doh worry, wen ah get big and rich, I go take care of you.”

Short breaths escape from the other room’s wooden walls. The sound of her hand soothing her polyester belly; buckets being filled with water, restless with splashes, chatter, giggles from women and children by the standpipe outside; and the occasional car up-heaving the dust from the road; completes the air. Lost to the ruffling of sheets, as the boy sits up and asks, “Mammy, daddy doh love you no more?” With her puffy red eyes, she says, “Wary, I doh know,” and sighs to a spawning cobweb in the wooden creases of the galvanized roof. Where God would be.

Exhausted, she pulls Wary to her chest, and says, “Look how tings change now. Ah remember wen yuh fadder wouldn’t even let a fly light on me. Huh. Now he is de fly.” She caress the burning pain, swollen across the left side of her beautiful face. “Ah, I remember, huh how he use to get on, like ah was de only one for he.  And yuh believe ah didn’t even like he damn black ass. He look like he had wife and child already. Ah remember it good, all de talk bout me runnin him down.” She says sucking her teeth, then, amused she gives a slight grin and says, “Ah remember wen he come by meh house for de first time. He make bout fifty-nine trip up and down my street lookin for meh house. Ah was laughin at him. Ah tell meh cousin Theresa, yuh see dat jackass walkin dey. He lookin for me.”

I couldn’t hold her anymore, like the time Dr. Parrot–he has a funny mustache and a white coat taller than me, taller than everyone–said my mother was having a nervous break-down. I remember this, but it feels like a dream, seeing my mother drooling one sided on a white pillow, sleeping. Talking to herself, sleeping. She couldn’t recognize any of us at the hospital, and even when we brought her home. She screamed at me to stop following her, as she crashed into the corridor’s green walls. She believed I was the demon walking behind her every step.

She cried everyday then. At night, I’d keep her company. Climbing into her bed, my seven year old arms tried to reach each other as I held her. Too small for her, I still held on–with every squeeze, so she won’t fall, saying, “I’m here, so never let go.” Every time I remember this moment, I’d hold on whispering in her ears, “Forget about him.”

Taller now, walking, leaving, closing doors behind me. With long legs, running faster than words, when words are too convincing, I have long legs faster than his words, “I didn’t do anything to your mother;” and her nonsense, whispering without a body. I am faster than her slippers, dragging in the darkness. When I have long legs to outrun them both.

But how do you successfully outrun them, when you can’t even measure their volume? How do you find the circumference for their pain and speak of it? How do you measure it, as their sound is louder than your own words? I open my mouth to scream, but nothing comes out.

This hate, this want for revenge, all of it makes complete sense. Or does it? Maybe it’s still a fabrication even when I want to realize the desire. Layering with every move I make. I see it everyday setting in, troubling my eyes particularly. I feel it now illuminate the moments I wait… When no one is there, tolerating the sun dimly shining through the sheets. When each day is as identical as the last, I arrive from the hidden: blood-shot and blue velvet. Greeting another morning the Lord has so graciously made with nocturnal eyes. I’d look to the medicine cabinet’s mirror, only to shun the confused image. Haunting me from skyscraper windows trying to keep clean, trying to surpass each other, I’d struggle to refute its reflection. I’d see the patch filled gray, halfway configured shadow, behind me, reflected through the steel of the metro machine. Sharply shifting out of focus–impatiently waiting as I take too long to buy my fare card–I’d feel it wanting that closure of being numb. Being dormant for however long, only to be roused again by a variety of details my mind collected.

Drinking the last of the bottle, I suddenly know why I get up every morning: to ride the overcrowded trains, the greatest trains ever.  Even when it takes forever to come, you can’t understand the conductor announcing that it’s not the train you believe it to be, and the transfers, the circles you make to get to your destination.  When, at the end of it all, hope will outlast me. Coming to any room with a mirror, I imagine leaping out, letting hope outlast me.

The phone rings, and without looking, wanting it to be Pieta, I answer.
“Hello.”
“Jeri? It’s Gary. What happened today, I was expecting to see you at 5:00. Is everything O.K.?”
“I wass real ly ti red after the tripp. Guesss I over sslept.”
“It sounds like you’ve been drinking. What happened in D.C.? Sorry I didn’t pick up last night when you called. We could meet somewhere and talk if you like.”
“Can I call you back?”
“Why, what’s going on?”
“Leymme call you back.” I hang-up.

The phone rings, it’s him again.  I sit staring at the phone, confused by it’s urgency, about whether or not I should answer it. I get the feeling something bad will happen if I don’t.  I light another cigarette and watch the superstition float around the room in circles.

Restart Later

September 20, 2008 1 comment

Knowing you

is a flash of flam·boy·ance

a blacken scheme

blacken black, stupid sures foes a system(s)

that lights on count

as you want me to sit beside you

while knowing is what you’ve tolerated

what you never wanted as acceptance

on your stupid shoulders

Chapter 2

August 20, 2008 13 comments

This is the second installment to the novel I’m trying to write, finish… You can read the first chapter here.

In the dream, I can only see the back of her body, rocking from side to side on what looks like Serena’s bed. I suddenly realize my legs bending, shaking as a feeling of urgency runs through them. A feeling so deadly, crossing my path as I timidly approach the room. I can’t see if it’s really my mother, but somehow I know it’s her. I’ve seen her like this before, beaten down, frazzled, afraid. She’s lying there in this strange arrangement of a room, where the bed is the only furniture. I want to say something, but I can’t. I have no voice when I open my mouth, or maybe it’s because I’m a coward, afraid of what she might bawl. I just stare at her lying there like a child. And I want to cry as well, I can feel the heaving coming up as I try to force it down. “Say something,” but I can’t.

She turns to me, and I immediately close my eyes. Somehow it would all be real if I look. I won’t witness the dust she blows into my face. I’m too afraid to do anything now. So very still I stand, in midair it seems. When I finally open my eyes again, she’s still rocking from side to side. She says in a small voice, so very small, I can barely recognize those words making those sounds. They’re all jumbled like she’s speaking in tongues:

“Ahcyartakeitnomore. Ahgointogocrazy.”

I’m running now. As fast as I can, I run away, leaving her behind, running faster and faster with long legs extended. I’m running fast up this narrow corridor that never ends. It’s covered in red, in everything that came out my mother’s mouth. With long legs, I’m running so fast to the master bed-room. I know I shouldn’t look back, but I do and all that is there is a large mirror reflecting an image of what looks like the backside of my body rocking from side to side. I turn away and stare at the large wooden door before me. My fingers are long and skinny, nervously reaching for the bronze handle.

My father is resting comfortably with his newspaper covering his upper body with information. The air conditioner hums in the background. And everything that I say out of breath sounds like I’m speaking in tongues.

“Whatdidyoudotomammy?”

He removes his covering and looks at me in so much disbelief, that I wonder if I’m really alive. I’ll wake up if I could just pinch myself.

I must be alive, because I understand every word he says:

“I didn’t do anything to your mother,” His words are so clear. They’re so clear they make me ashamed. As the time when I was eight, and I couldn’t spell beach, and he said, “Big girl like you don’t know how to spell beach, your little brother can spell beach.”

Beach, big girl, beach. And Joshua was all pleased as he sang in his five year old voice, B E A C H. The door slams behind me, as I leave the room.

At the other end, down the corridor, my mother is speaking in tongues, “Ahcyartakeitnomore. Ahgointogocrazy,” a sound so quiet but still manages to shake the corridor’s walls. And I could hear him saying, “I didn’t do anything to your mother. You can’t spell beach. Spell beach. B E A C H.” Their voices compete, growing in volume; they pound against the walls, and I lose the muscles in my legs. I cover my ears and as I look down, there’s nothing but a black abyss beneath me. I begin to fall.

That’s when I wake up, when I start to fall. It happened again tonight, today. It’s been happening for weeks now. The same dream night after night. As soon as I close my eyes, I dream that she dies. My mother. I haven’t told anyone, not even Serena. It would scare her, believing that dreams can tell the future. But then again, they say when you dream of someone dying the translation is marriage. It must mean someone is about to get married. A little part of me still participates in superstition. I tell myself it’s foolishness as I feel the cold and try to remember where I am.

Yaya isn’t sleeping down by my legs, and I don’t hear the fish tank. This isn’t Regan’s apartment, I wonder about it for awhile. I wait for Yaya to come lick my feet, but she doesn’t. Everything becomes entangled as I try to readjust, and forget all that I saw in the dream. It becomes an impossible task as I listen and hear a woman singing an intoxicating song. I want her to stop her singing, but she continues:

I want to give you a dream that no one has given me

Remember when we found misery, we watched her

Watched her spread her wings and slowly fly around our room

And she asked for your gentle mind.

“I know her voice,” I say out loud. “Blonde Red Head’s Misery is a Butterfly,” I keep repeating. The song swells, and I begin to recognize shapes. I know these lifeless walls staring back at me. They’re without pictures, posters full of ideals, only white washed unmarked walls, plagued with roaches in the background. I look around and I’m startled by a pile of clothes resembling a tall man with feathers in the corner.

Nearing the song’s climax, I realize my state: lying on a ransacked mattress in my apartment. I wonder why I’m naked. The sun has already set, and I can see the deadly softness in the way the snow falls, collecting. Everything smells like ashes. As I shiver for the comforter resting at my legs, I remember waiting to board the bus at Union Station in D.C. The cold wind eating through my jeans.

I aged during the twenty-four hours. I feel it most as I try to get up off the mattress, and why it’s now difficult to walk to the kitchen without breaking down half way. I remember doing the show at the Warehouse Next Door and drinking rounds of tequila with Smurz and Regan, then, staggering onto a Greyhound at 3:30 this morning. I still see the red from the curtain from the dream, as new events that are not new at all come to mind. The shock, and I gasp, of seeing royal white feathers ruffling aggressively. I shake my head and everything becomes a messy ache of nausea, of too much unsettled on my stomach. I try to keep my head up as some of last night throbs its way back slowly.

When I open the fridge, I have to cover my eyes, blinded by Christmas lights in a darken backdrop–the Warehouse Next Door’s stage. I remember the band before us having a good set. I remember a piece, a scene I have to say shut up to more than once, running so fast, threatening to reveal itself completely like it did on the platform for the R train.

I was listening to The Streets’ “It’s Too late” on repeat, waiting for the R at Port Authority to take me to Lexington Ave for the 6. Monday morning’s rush hour, with so many crammed next to each other. Walking too far, feeling the wind gust of the train’s arrival, I found a dead end of shirts and ties that might topple over the yellow edge leading to the tracks. I began to sweat, and my dark shades fogged up. Nervously, I took another gulp of the coffee I spiked after the rest stop in Delaware–the morning’s glare, unbearable to look at, as the abandon buildings and the trees, burden with snow, raced by. Some of it spilled onto my coat. My hands were shaking from the nightmare I tried to drown: the demons coming uninvited. I tried not to argue aloud with them. With my shoulders caving in, I hid in pockets of shade as they mischievously exposed, giving a second life to, events I’d like to forget.

The 6 violently raced out of the tunnel, jagged apartment buildings urgently streaking through the glaring mirrors. My jaws tightened as I bit down hard on my lower lip, as the shock of seeing Pieta kissing someone else consumed everything.

We were playing the one ballad in the set, and I had lost control. Unbearable to look at–the memory of last night, lingering long after I have closed my red eyes. I moved to another car in the train, and all I saw was an audience staring back at me, knowing I had lost control.

I needed a distraction, an ambitious effort, trying to stop the images from walking through the plastic ads. Feeling the sharpness of the sunlight, all I saw was Pieta in the front row with Rickie Favors. I lost the timing and Smurz began her solo early. Regan glared at me why, as she began to sing:

We’d forget the love laws

for one night

for one night feel the ache

feel the pain in our curves

you’ll show me where

show where it hurts the most

I punched the car window hoping I could break the spell, embarrass myself into the present. But it was already too late, the stupid question I asked Pieta kept repeating itself, “So how was it? So how was it?” It rang in my ears, alongside Regan’s haunting vocals:

We’d forget our tongues

caught in Reason

drawing a line

drawing a rigid line

we’d refuse such a sentence

to lie down with

My walk was slanted, trying to catch myself before I fell too far down. My shoulders were lost in awkwardness, smashing into everything. I tried to outrun the memory of her full pink lips answering the stupid question. I protected my ears from the indifference in her voice. It moved with me anyway. From car to car, I heard her saying, “It was nice. It was nice.”

listen from the pit speaking

speaking a new nonsense

in a moment we’d lose

we’d lose everything

we didn’t have anything but skin

the salt from our eyes

the sadness in a kiss.

Staring at the Brita in the fridge, I remember the pieces that are meant to hurt the most. I notice a red dot on the floor. Tasting my own blood, I feel my lower lip.

I can’t remember how I found my way, walking through the after-math of the weekend’s blizzard for five blocks to my apartment building.

It’s 6:30pm. My phone beeps. I have four new messages, all of them from Gary, asking why I didn’t show for session today. I reach for my jeans covered with the crust of dirty melted snow at the legs. The liquor store will still be open.

BackSpaced

June 18, 2008 5 comments

I held a posture
laboring over a precipice:
a page filled with so many planets
verses on the verge of meeting
but they never did
maybe I didn’t lean close enough
afraid of what was there in a millisecond
as they all collapse in a margin.

A Visit to Miss Blackette’s

May 6, 2008 5 comments

I held out my palms for a reading.
Miss Blackette looked at them closely,
running her index finger against their lines,
she said my hands are not in love with each other.
I brought what she had asked: a strand of lover’s hair
and a wrinkled picture kept in my wallet.
Miss Blackette held up the strand of lover’s hair
and a cottonmouth hissed its fangs at me,
slithering away, fading into a dark corner.
As she held the wrinkled picture into the light,
the ascent began. From the ceiling view
I saw what I looked like outside Miss Blackette’s room,
I saw myself in a mirror peeping through
my lover’s window, floating on a whirlwind:

My eyes were burning. Beads of sweat trapped in them, lighting splitting down the middle. My hands, that are not in love with each other, climbing really high. Perspiring. They climb to the top. To the opening of my eye. There, I see them in a one-sided room with walls covered in blood. My blood.

I see him walking jagged and long. Coming. Walking jagged and long. And she…She looks taller now and leaner as she stands against the door, staring at the mirrors where my eyes have been hung. There, pupils come alive. She stares back a cross-eyed faint blue. Letting him into our room. The capsized room. Suddenly slanted. The eyes that envy in enlightenment. Clothing taking turns. Crawling urgently. Slipping off their bodies.

The smothering smell of pussy gone foul lured the crows by my side. By my side, they begin to caw. By my side, they pick at the wooden floor. Ruffling their jet black feathers. Downstairs, in Miss Blackette’s room, her mocking bird’s laughter laughs at me. Her three legged dog, staring up at my ascent, barks Jackass louder. Wagging his tail casually. By now there’s a twangy guitar as her helper, a boy with dirty clothes and a delirious smile, sings in erratic chords:

Cuddled in torment
drowning in their own will
holding in the evening’s hours
I see them lying even
see them lying naked
weeping ruin as rain.

Miss Blackette didn’t have a remedy for my hands.
She didn’t tell me to take a bush bath.
As I gave her the twenty dollars, she said earnestly:
Your left eye will eventually become green my dear,
by the ease of seeing him coming,
walking through her door.
Made green by your stutter for words.
Tightly, warmly within.
Made green my dear,
when nothing of you grows in her.
His shadow will become your stroll. You’ll see.
As you take a step, into his footprints,
his fingerprints still settled in her skin.
Your right eye will be as yellow as superstition.

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