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Posts Tagged ‘Lesbian’

Borinquen Doll

September 5, 2011 4 comments

Stretched thin on her restless side
Mrs. Hernandez waits impatiently.
Staring at the phone, she anticipates
its urgent tolling. She recalls the
blessed day: All wrapped up as a gift
to herself, she bought the girl in
the window and peddled her home.

The child sat still, painted pretty
like a doll, on the supermarket shelf
waiting to be possessed.

“Never mind the thick plastic wrapping”
the label read, “this little girl is
a real Borinquen doll.”

Mrs. Hernandez left very pleased with
her buy: A curly head little girl.

She’s mine to possess
Mine and mine alone.
I will teach her the ways
of the binding cloth
and the barring collar.

I will hide her from the world
in my clean kitchen cupboards
and my walk in closets. There
she won’t be tainted with the
feverish touch. She will never
feel the hands of the exhibitionist
who celebrates the curves and the flesh.

I see them on the buses, with
their misery pinned to their backs
like wings.  They deliberately turn their
faces away from the the celestial light.
They curse out the clean air in the wind
.

Mrs. Hernandez, she’s no witness
Her eyes are delicate, too delicate
for guttered faith. Her daughter walks
the night barefooted to places where
the gorged moon meets sharp edges
there she goes down dirty on dirty girls
spreading their wayward legs
inventing sweet nothings.

Mrs. Hernandez waits in vain
anticipating, stretched thin
on her restless side.
Her daughter won’t be coming home tonight.

Esme and Zami

June 16, 2011 5 comments

Esme and Zami are siamese twins
Esme, the temperament of water, fell in love with whirlwinds:

The secrecy held in the world beneath the ocean.
After admiring the girl in the reflection she dove in

Living far beneath the surface, returning for fireflies in summer
Sometimes just to listen to the city’s rooftop raindrop drummers.

Zami, the temperament of fire, her blood runs close to her skin
At the bald of her hands and feet feel the rush of cold sin.

One night she awoke breathless, off her body cold sweat dripping
She ran out of space and slowly the walls crept in.

Anxious for air and with fervor in her muscles
Leaping for the night, scaling over walls and fences, Esme became bionical.

Esme and Zami are siamese twins
No overnight miracle of a mischievous nymph.

There was time for a breath between days for a hush
And defeat to soak itself at the root of a purpose.

Hear it escape in a wail, a laboring sigh to playful fantasies
Masked in the ringlets of an occasional lover’s kisses.

Zami was leaping over water over two nights
Stopping to rest, finding shade from the moon light

Under the thick yellow of a poui tree in bloom
Catching breath, crouching to her knees, smelling Esme’s perfume.

Blue moss, wild strawberries decorated her
The dancing Esme muses on stories told by her mother.

Tightly closing her eyes, she keeps the music to herself
Repeating the words in a lullaby.

Her mossy blue arms reach for no one
But the gentle caress of the ocean.

Zami bemused, came closer to the moon
Caught by Esme’s mystery about her lips, about her blue nakedness.

She found pleasures so much so she had forgotten
About walls and fences to scale, but found comfort in this harbinger.

Finally she held her breath and dipped her head in.
Surprised Esme, but not afraid she smiled and began to sing

Tal vez amor
Tal vez tu debes mi amor

Saber como nadar
Saber como nadar

Antes de hundir
Tu cabeza en mi agua.

Esme and Zami, they are siamese twins
Joined to the heart and mind ever since

Zami found shade from the moonlight
Under the blooming poui tree one night.

Letting go of the tree branches
Letting go of her fences

She relaxed and extended her arms
Looking up to face the moon shining

She pushed her chest out to embrace
The currents.  To kiss the waves.

Continuum

May 21, 2009 4 comments

Bisexual is a term I hear
while i’m unsure of the direction
the song is going to take
but then, I’m reassured by the chorus
that i’m straight
I’m okay now

Terry, this woman that I work with, she’s a dyke
button down shirt and tie, slacks, polished black shoes dyke
now i don’t have a problem with the gays
it’s just that Terry’s girlfriend looks just like me
pumps, pencil skirts, manicured nails, lipstick, pearl necklace
I wasn’t expecting this, it’s like a song with a familiar beginning
you know, something you can bob your head to, you know
and then all of a sudden it changes, and i’m unsure of the direction
the song is going to take…  So I hold on for the chorus, for some kind of refrain:
i’m straight, i’m okay now.

she’s a dyke
button down
shirt and tie
slacks, polished
black shoes, dyke

a song with a familiar beginning
you know, something you can
bob your head to, you know

her woman looks
just like me
i wasn’t expecting
pumps
pencil skirt
manicured nails
lipstick, pearl necklace

I wasn’t expecting this bridge
this change in melody
irregular, I pause for the chorus
for some kind of refrain…

I am straight
I am, okay now

Bisexual is a term I listen to

Chapter 3. Revised

February 20, 2009 7 comments

See Chapter 1 & Chapter 2.

De moon had settled itself dat night in de middle of de sky so everybody could see it. De neighbors were comin out with dere Vat 19th and Coca Cola. Somebody with ah spoon–ah melody pulsatin on half ah bottle. De quarto player was takin another sip. Feelin de spirit, he play ah devil of ah tune. From house to house, dey moved with gaiety in deir steps and was greeted with de smell of cloved ham, fruitcake and sweet bread. Little children yelled out to deir mothers dat de parang players are here.

Even dough tings were as dey were–poor people still strugglin to make ends meet–dat Christmas in ’78, it seemed as dough God was lookin down on we. We still was poor, but people could at least afford some new paint for de steps, and some new curtains to replace dem old ones dat we just take down, wash, and put back up. It was all because dem white people was all of sudden interested in de oil in Fyzabad. Now dat was Christmas. Even dough tings was dare, people could taste a real apple and a pear, just like in de States. Yeah man, it was nice dat year Njeri turned two.

“Where you think you going Achaia.”
“I goin wit you.”
“What, lookin like that…”
“And who to blame for dat…” Quiet.  Brisk footsteps.
“Ah sorry…Ah didn’t mean dat Comrade.” He cuffs her down.  Quiet.
“Don’t ever talk to me so.”

She holds her belly, and withdraws into a ball.  He turns away and lights a cigarette. She listens to his footsteps, slapping the pitch, walking hard towards his 280 C.

As the car speeds away, a boy, a skinny little boy, in khaki shorts, runs out the house. He leaves behind his sleeping sisters, Serena and Njeri. His bony arms struggle with the intention of saving his mother and the baby inside of her. He pretends he has the Incredible Hulk’s arms, strong enough to carry her pregnant body to the verandah, and then to safety: his parent’s room.  Finally, he begs, “Mammy,” he begs, “per yuh hand on de gate.”

Carefully, they walk to the concrete steps where they both sit and wait in silence. He rests his arm on her shoulder. He stares at her as she props her head showing off her heated face. He stares at her tears rolling down her cheek, and he says what he always, “Mammy, doh worry, wen ah get big and rich, I go take care of you.”

Short breaths escape from the other room’s wooden walls; the sound of her hand soothing her polyester belly; buckets being filled with water, restless with splashes, chatter, giggles from women and children by the standpipe outside; and the occasional car up-heaving the dust from the road; completes the air. Lost to the ruffling of sheets, as the boy sits up and asks, “Mammy, daddy doh love you no more?” With her puffy red eyes, she says, “Wary, I doh know,” and sighs to a spawning cobweb in the wooden creases of the galvanized roof.

Exhausted, she pulls Wary to her chest, and says, “Look how tings change now. Ah remember wen yuh fadder wouldn’t even let a fly light on me. Huh. Now he is de fly.” She caresses the burning pain swollen across the left side of her.  ”Ah remember how he use to get on like ah was de only one for he.  And yuh believe ah didn’t even like he damn black ass. He look like he had wife and child already. Ah remember it good, all de talk bout me runnin him down.” She says sucking her teeth, then, amused she gives a slight grin and says, “Ah remember wen he come by meh house for de first time. He make bout fifty-nine trip up and down my street lookin for meh house. Ah was laughin at him. Ah tell meh cousin Theresa, yuh see dat jackass walkin dey, he lookin for me.”

I’ve been warned. The same brain that houses the mind that keeps the record of every action, interaction; so that the same mind can repeat very loudly while one’s alone in that house, with just its voice, comparing, juxtaposing any and everything of a past record with the present log of daily events.  This same mind created itself a voice.  A voice that is taunting me with doubts about how much I can be so unsure of the existence of God yet still want to live.  Especially in the company of dead lizards, sleeping with something so crippling as the web of a spider,… is

I’ve felt this before.  I’ve seen this happen.  The satisfaction in losing it to a buried gratification: destroying something I had a hand in creating. Letting it all go to a tiny trifle, to base all my regrets on and ultimately kill. Especially since I’ve put so much hope into such a fantasy.

I’d wake up and find Pieta, my only reason to be better. A fantasy so fruitful, it made me less jaded to fantastic dreams of us aging blissfully, tolerating each other’s nonsense. I leaped in, believing in magic.

I can’t stop staring at the videotape leaning there on the bookshelf. The videotape Pieta made of us having sex. She thought it would be fun, since it was in the back room of the bookstore where we worked. It was going to top that time in the park or that late night on the red line train.

I was twenty-one, so perhaps it was just like the infatuation you’d find in a Jane Austen novel. I fell for the way her eyes hid behind her tangled black hair. The teasing way she said hello, goodbye or anything at all. I had to avoid her gaze when she spoke to me. I felt that if I looked her in the eye, she’d see everything inside of me, the memories I suffocated and drowned unsuccessfully. In those stupid moments, I wanted to make her happy.

Yes.  All I wanted was to make Pieta happy.  “Really, this is what you wanted? Hahaha.”

When I first saw Pieta Melendez, she walked into the bookstore where I worked after classes at G.W. and on the weekends.  I acted indifferent when she asked if we were hiring.  As  she rummaged through her purse for a pen to fill out the application,  I pretended not to be distracted by her perfume.  It dominated everything I’d smell for the rest of that evening. I was already so infatuated that I kept her application, and threw away the rest.  I read her answers, and kept recreating who she was. Who she might be.  I neatly placed Pieta’s in Roger’s mailbox with a note, “She sounds prefect for the position in Inventory.”

I was in a cloud somewhere, fanciful, floating around with the idea that it was better to see her everyday, to witness her peacock dance than having to deal with the disappointment of never seeing her flair her colors ever again.  I felt I could live with this compromise.  Compromise, because I had suspicions, that she had some boy lurking.  And my suspicions were right.  There was a boy.  ”Well of course… idiot!”

Six months later, and winter was nearing its end, Pieta and I had only been seeing each other for two months when I finally revealed to her how I truly felt, that I was already in love.  She told me she felt the same.  I was in la-la-la land.  I knew she was still sleeping with her ex-boyfriend.  She lied about those nights when she wasn’t developing her photos in her father’s basement darkroom.  She was over at Darren’s.  But I was in la-la-la-land, believing her every word. I even tried to forget when Darren started leaving me messages, “Dyke bitch, you’d better watch your back.” I should have ended it then.  She finally confessed and told me, she was still sleeping with him.  A man who threatened to kill me every night she wasn’t with him.

“Mail the tape.” I pick up my address book, and flip through the pages until I get to M. I see her hand writing. Her name: Pieta Melendez.  Her address: 3803 Brentwood Ave, Silver Spring, MD 20222. I throw the book in a corner, and I hear his teasing:  “I knew you couldn’t do it.  You’re such a coward.”

I take a swig of J&B, and contemplate sending the videotape to her parents.  It fills me with a sort of grace, a chameleon grace. I imagine the gratification of exposing her secret.  This reclaims the surrender I’ve been wanting. I put out my last cigarette on the icy ledge. I take another swig, hoping it is enough to preserve this now invigorating hate, drowning the memory of her indifference.  As I remember her walking into the Warehouse Next Door’s back stage.  She’s holding a drink that she occasionally sips. Choking, I try to cough it up.  But the memory keeps me still, as beads of sweat run down my torso.

This want wasn’t overnight though. All the reasons I should use this tape is a bridge, leading to more than Pieta’s pretty mouth. I’ve seen more. The secrets I hushed into a ghostly room, ransacked now when I had let her in.  I fear this gratification would change me into something I ran away from. A million miles away.

This same mind of mine that created itself a voice, solely searches for just these pieces that are meant to kill, and throws them like sharp daggers at me. And I’m in that dream again, dreaming of death no longer a million miles away.

I couldn’t hold her anymore, like the time Dr. Parrot–he has a funny mustache and a white coat and was taller than me, taller than everyone–said my mother was having a nervous break-down. I remember this, but it feels like a dream, seeing my mother drooling one sided on a white pillow, sleeping. Talking to herself, sleeping. She couldn’t recognize any of us at the hospital, and even when we brought her home. She screamed at me to stop following her, as she crashed into the corridor’s green walls. She believed I was the demon walking behind her every step.

She cried everyday then. At night, I’d keep her company. Climbing into her bed, my seven year old arms tried to reach each other as I held her. Too small for her, I still held on, so she won’t fall, saying, “I’m here, so never let go.” Every time I remember this moment, I’d hold on whispering in her ears, “Forget about him.”

Taller now, walking, leaving, closing doors behind me. With long legs, running faster than words, when words are too convincing, I have long legs faster than his words, “I didn’t do anything to your mother;” and her nonsense, whispering without a body. I am faster than her slippers, dragging in the darkness. When I have long legs to outrun them both.

But how do you successfully outrun them, when you can’t even measure their volume? How do you find the circumference for their pain and speak of it? How do you measure it, as their sound is louder than your own words? I open my mouth to scream, but nothing comes out.

This hate, this want for revenge, all of it makes complete sense. Or does it? Maybe it’s still a fabrication even when I want to realize the desire. Layering with every move I make. I see it everyday setting in, troubling my eyes particularly. I feel it now illuminate the moments I wait… When no one is there, tolerating the sun dimly shining through the sheets. When each day is as identical as the last, I arrive from the hidden: blood-shot and blue velvet. Greeting another morning the Lord has so graciously made with nocturnal eyes. I’d look to the medicine cabinet’s mirror, only to shun the confused image. Haunting me from skyscraper windows trying to keep clean, trying to surpass each other, I’d struggle to refute its reflection. I’d see the patch filled gray, halfway configured shadow, behind me, reflected through the steel of the Metro machine. Sharply shifting out of focus–impatiently waiting as I take too long to buy my fare card–I’d feel it wanting that closure of being numb. Being dormant for however long, only to be roused again by a variety of details my mind collected.

I drink the last of the whiskey, and I suddenly know why I get up every morning: to ride the overcrowded so-called greatest trains in the US.  Greatest, because they work 24-7, even when it takes forever to come, you can’t understand the conductor announcing that it’s not the train you believe it to be, and the transfers, the circles you make to get to your destination.  When, at the end of it all, hope will outlast me. Coming to any room with a mirror, I imagine leaping out, letting hope outlast me.

The phone rings, and without looking, wanting it to be Pieta, I answer.
“Hello.”
“Jeri? It’s Gary. What happened today, I was expecting to see you at 5:00. Is everything O.K.?”
“I wass real ly ti red after the tripp. Guesss I over sslept.”
“It sounds like you’ve been drinking. What happened in D.C.? Sorry I didn’t pick up last night when you called. We could meet somewhere and talk if you like.”
“Can I call you back?”
“Why, what’s going on?”
“Leymme call you back.” I hang-up.

The phone rings, it’s him again.  I sit staring at the phone, confused by it’s urgency, about whether or not I should answer it. I get the feeling something bad will happen if I don’t.  I light another cigarette and watch the superstition float around the room in circles.

Safe? And for who?

May 24, 2008 10 comments

I was meeting my partner at this pub after work. We hadn’t been out in awhile, and the weather was perfect for sitting outside, sipping on a Stella and enjoying a good cigarette. My partner chose this pub that she’d frequented during her law school days, an Irish pub with an outside patio. I had never been to this place before.

When I arrived at the pub, I found my partner outside on the patio. And I was so excited to see her doing exactly what we’d imagined. Relieved to see her familiar face… She seemed so relaxed and carefree, that I took my time getting to the table. She wasn’t looking at a text message or talking on the phone, she was just content with being outside in the afternoon sun, smoking a Camel Light, and having her beer. We smiled at each other once she realized I was there.

The manager, an older (maybe in her fifties, maybe Irish) woman, came out to “greet” me. She immediately asked for my ID, saying to my partner, “He looks like he’s 12!” I gave a cynical grin. This isn’t the first time that someone confused my age, and confused my sex/gender. And this is not the first or the last time that I’d be ignored because of it.

I handed her my Maryland non-driver’s ID. She glanced at it and smiled toward my partner. Her back was still facing me when she asked, “He doesn’t have a driver’s license? You need a driver’s license.” My partner replied, “So what do people who don’t drive do?”

Maybe they just never go out, and if they do they go to places that no one will ask for an ID because everyone there is outlawed by their illegality of one or several combinations: too poor, too black, too immigrant, too trangendered, and/or too gay/lesbian/queer, too unexpected. All of the above with etc. at the end.

“It has to be a New York State ID,” the manager kept saying until finally I shouted,

“It’s a Maryland ID, and as far as I know Maryland is still US territory… And by the way, I’m not invisible. I’m right here.”

Having the kind of day that I had, I really didn’t have anymore in me to put up any sort of a fight. So angrily, we grabbed our bags and left with my partner saying, “I’m never setting foot in this place again. And I’ll be sure to inform my friends who come to your pub as to why.” I’m sure the manager could give a rat’s ass about this, but we needed some sort of vindication. My partner more than me.

“I’m really disturbed by all of this. I can’t tell you how many times I’ve been to that pub. I even know the manager, we were chatting before you came. I’ve never experienced any of this sort of borderline prejudice there.”

“Well of course, you’re white babe,” I was quick to blurt out. I mean, what else could it be but race-related?

“Maybe it’s more than your blinders you feel so self assured about,” she came back. She was walking really fast like I had somehow displaced her in a margin of either/or.

I did consider what she said, and after going over the incident outside the blinders of it being just race related, I decided that it’s because of many things: race yes, but as my partner pointed out – it could be my ambiguous gender (but how ambiguous could it be when my hips and breasts are so obvious? To me, of course). It seems that these markers are overlooked when you’re taller than most women and you don’t try to pluck and cover-up your masculinity (no, I don’t feel trapped in a woman’s body, I’m trapped in this reality called the staus quo).

Your voice is a higher soprano than what your body portrays (imagine Mike Tyson speaking, but taller and better looking) – hell, if your voice doesn’t match your perceived very simple signifiers–height + jeans + t-shirt wearing=boy, boi, boy!–it can be a messed up blur of an anomaly.

But it’s not just because I’m unapologetic about being me: Caribbean, black, woman with a huge afro, apparently ambiguously gendered, with tattoos covering my fore-arms. It’s also because I’m physically there and intimately present with my white partner who passes as a straight woman (think Brooke Shields). I wonder if the fact that she can use power tools and a Phillips screw driver far better than me makes her pass any less (no, it just makes her “hotter” or going through a phase, except this phase has been going on much longer than when she chose me). For that matter, what does that make me! (expendable.)

Quite honestly, no one gives a shit about my ambiguous gender, unless of-course I was trying to use a bathroom. I wonder if we would get the same hateful stares if my partner was African American, Asian or Latina? Well… yes, and it’s all dependant on whether or not she looks as “hot” as Beyonce, Lucy Lu (oh shit there isn’t a more contemporary image of beauty for Asians… that apex hasn’t been updated) or Shakira, and whether or not I’m as easy to digest as a butch lesbian superstar like Ellen DeGeneres.

There’s nothing more unwelcoming as stares, especially when they’re emoting, saying we don’t belong. Going out has been more of an issue than my fear of crowds, unless of course it’s at a friend’s house. We’re constantly weighing the pros and cons of whether it’s worth the trouble of traveling the distance only to be gawked at, harassed, and at the end of the night feeling so defeated. We end up fighting with each other like the sex and the love is the problem.

Oh the anguish of being an interracial “queer” couple. The plight of being Loving versus Virginia then (June 12th, 1967) and now. We forget or just choose not to remember. Let’s get our encyclopedias and our law books out, just for you! So we all can remember.

Every time we go out there’s always an incident. The last time we went to a bar in the Lower East Side for a friend’s birthday party I got into a shoving match with this guy because I used the men’s bathroom. The ladies room was occupied and I needed to go. I know what you’re saying-hold it and use the ladies-well I have held it and still paid the price with a security guard pushing me up against the wall. Or the time this guy tried to kick my ass because his girlfriend was in the bathroom. Or the time at my job when this woman informed me that I was in the Wrong Place, and What Was I Doing Using The Ladies Bathroom?

I Should Know Better.

I have many incidences of being told where I’m not welcomed, whether or not it is in a place that is a space for: Black People, Women, Immigrants, Straight People, Caribbean People, or Yes, Lesbians, Gays. It just reinforces – Yes, having a space just for one group’s agenda is very important, especially when they’ve been subjugated and excluded from the rest of society. It is very significant, but people are not living/existing in a state of stasis, especially when we have so many different backgrounds that break down from the largest to the very minutia of diversity. (PUT SOMETHING HERE. Like, a symbol, an infinity sign representing ONE or we are MANY or something.)

A woman loving a woman. That might be “tolerable” depending on who’s watching and at what particular time, because we are seemingly still living in the days of tribalism. In some spaces it might be okay to love a woman and have her love you, unless she doesn’t fulfill the stereotypical beauty aesthetic of and for the mainstream.

The message I get is that Yes, I do deserve love – as long it’s not from that pool of women that straight white men are entitled to have and to hold. I see this ownership in their eyes. Yeah I get this message every time my partner and I are out holding hands.

It doesn’t matter if we’ve been introduced as a couple, they will still hit on her right in front of me. Because our relationship isn’t considered real. Even our sex isn’t real. A good friend of my partner, who is straight, told us after a few drinks, her true thoughts on this matter. That as long as there’s no dick involved then we’re not really having sex and that yes I must still be a virgin since I’ve never slept with a man. Our lives are mere fiction you see on television every Sunday night or on the silver screen.

We’ll like to say it’s because men “naturally” have more confidence than women, that they’ll still have the nerve to ask a lesbian out. Because men are built brave. And that’s the universal law of the sexes, when in fact it’s just ownership.

Is it just shock or a mixture of fear and hatred when they only address my partner when I’m the one they’re talking to? (Even “straight” women do this. “What does this mean? Am I capable of gaydom?” Maybe you are if you’re so worried or questioning).

Suddenly we’ve broken a sacred code of ethics (well yes of-course the same sex thing is blasphemous but this other shit is taking it too far).

Maybe it would be easier for everyone’s sake if I was to mask my masculinity behind a skirt and a paint brush (but then I’d just be a Drag Queen). Wouldn’t that be hot? Two really femme hot women of different ethnicities (imagine that, the odds I tell you, the odds!), kissing in public? We could audition for “Girls Gone Wild!”

Or maybe my partner should shave her head and start wearing boots and flannel. We would totally fit the script of the expected gay couple. Can’t you just imagine us on L Word or as Queer as Folk looking fabulous? Coming this far – having a script for what a gay couple should look like, I should be more than thankful, right?

A Visit to Miss Blackette’s

May 6, 2008 5 comments

I held out my palms for a reading.
Miss Blackette looked at them closely,
running her index finger against their lines,
she said my hands are not in love with each other.
I brought what she had asked: a strand of lover’s hair
and a wrinkled picture kept in my wallet.
Miss Blackette held up the strand of lover’s hair
and a cottonmouth hissed its fangs at me,
slithering away, fading into a dark corner.
As she held the wrinkled picture into the light,
the ascent began. From the ceiling view
I saw what I looked like outside Miss Blackette’s room,
I saw myself in a mirror peeping through
my lover’s window, floating on a whirlwind:

My eyes were burning. Beads of sweat trapped in them, lighting splitting down the middle. My hands, that are not in love with each other, climbing really high. Perspiring. They climb to the top. To the opening of my eye. There, I see them in a one-sided room with walls covered in blood. My blood.

I see him walking jagged and long. Coming. Walking jagged and long. And she…She looks taller now and leaner as she stands against the door, staring at the mirrors where my eyes have been hung. There, pupils come alive. She stares back a cross-eyed faint blue. Letting him into our room. The capsized room. Suddenly slanted. The eyes that envy in enlightenment. Clothing taking turns. Crawling urgently. Slipping off their bodies.

The smothering smell of pussy gone foul lured the crows by my side. By my side, they begin to caw. By my side, they pick at the wooden floor. Ruffling their jet black feathers. Downstairs, in Miss Blackette’s room, her mocking bird’s laughter laughs at me. Her three legged dog, staring up at my ascent, barks Jackass louder. Wagging his tail casually. By now there’s a twangy guitar as her helper, a boy with dirty clothes and a delirious smile, sings in erratic chords:

Cuddled in torment
drowning in their own will
holding in the evening’s hours
I see them lying even
see them lying naked
weeping ruin as rain.

Miss Blackette didn’t have a remedy for my hands.
She didn’t tell me to take a bush bath.
As I gave her the twenty dollars, she said earnestly:
Your left eye will eventually become green my dear,
by the ease of seeing him coming,
walking through her door.
Made green by your stutter for words.
Tightly, warmly within.
Made green my dear,
when nothing of you grows in her.
His shadow will become your stroll. You’ll see.
As you take a step, into his footprints,
his fingerprints still settled in her skin.
Your right eye will be as yellow as superstition.

About Chameleon Grace

April 18, 2008 2 comments

Chameleon Grace is a novel that I’ve been working on for quite sometime. I figured if I just put it out there that I’d finally finish it. At the very least, it isn’t just collecting dust on my hard drive anymore. Here’s a little background:

Now transitioning into a new life in New York City, twenty-six year old Njeri Ironside finds herself at a crossroads. As she battles with isolation and displacement, she begins to question her purpose in the city. Her ruminations lead her to memories of her past, growing up in Trinidad, particularly during the period when the country was experiencing dire socio-economic and cultural change. It was a time where her father, a beloved trade unionist, prominent political figure, is at the center of controversy.

Her memories are however clouded by a desire for revenge against an ex-lover, Pieta.

With the lost of Pieta and the community she created in D.C., Njeri is left not knowing where she really belongs, and at times incapable of reconnecting the pieces from the subgroups she had previously niched out for herself in D.C.: black/masculine/woman/Caribbean/dyke/lesbian/working class in the Americas.

Dedicated to my mother.

All works © Planet Cuckoonuts. All rights reserved. Except otherwise authorized by Planet Cuckoonuts. Contact roarplanet@gmail.com.

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