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Archive for February, 2009

You as Conductor

February 28, 2009 cocoyea 5 comments

I’ve lost this place I’m suppose to have
my place in this thunder, ringing, ringing clear
what I have, and trust in what I haven’t gained
with this losing war, I’ve won something?

I’ve lost my place in this thundering mess
that lightening tragically strikes on paper
clipping my worth together.

I need a bow and my own arrow to make this right
I need an exorcism done to baptize
my worried hands together

and into a pit of strangers I’d dive
un-bruised by bravado’s curses
I’d dive into this tidal wave of circumstance
I the interpellator, lose myself

I hail
i lose
this champion.

Sabotaging Blueprint

February 24, 2009 cocoyea 7 comments

I. IF

Delirious with the minute by minute
how different it could have been, I realized nothing.

And then like a solution, I’m stuck again on If
If I was a time traveler.  It interrupts the answer for why

like a sucking between the teeth, it’s juvenile.  If I was
If I was a time traveler.  Yes it is.  Unconcerned about culpable

blame, ripe with unfortunates, If I were a time traveler I won’t have to
wait for an anomalous filler for fragmented voids, or even wish to delete a moment.

If I was a time traveler, unconcerned with real time
since change is my past and the present is my future

what once was a rabbit hole, no longer becomes familiar
with its miniture tea cups, with its no longer cluttered exclamation to the unknown.

Hair

February 22, 2009 cocoyea 5 comments

I was getting rid of some boxes that’s been just sitting in a corner of my apartment.  And I came across a book that I thought I had misplaced.  It’s the Collected Poems of Robert Hayden.  Flipping through the collection I came across a favorite, Snow.  The reason I think I’ve always enjoyed this piece is that it uses so little to express so much.

Snow by Robert Hayden

Smooths and burdens,
endangers, hardens.

Erases, revises.
Extemporizes

Vistas of lunar solitude.
Builds, embellishes a mood.

 

Here’s my attempt at using as few words as possible to express my feelings on my hair:

Hair

Nappy nappy
springs split-ends
soft wild dusky velvet.

Bold black beauty
spry leaping panther
rich as the Nile
subtle as wisdom

Nappy nappy
springs split-ends
soft wild dusky velvet

Back At It Again

February 21, 2009 cocoyea Leave a comment
Illustration by Bryan Bruchman

Illustration by Bryan Bruchman

Two Saturdays ago, I met up with the other members of my band, Telenovela Star, for the first practice in a long time. We went through our songs, which surprisingly wasn’t that bad considering it’s been like 6 months of not playing our set.

We  played some new songs and some not so, but in the sense that it’s taking on new directions. I’m talking about Death By Meteorite (DBM) that’s off of our full length, Love, Lust, Sci-Fi & Monsters (LLSM).

The genesis of DBM began like any of our songs, out of a long and quite possibly frustrating day at work (you know what I’m talking about), and then coming to practice, and some douche played with and may have broken or stolen our equipment. So, we quite possibly spent a good half an hour venting, calling around to find out who messed with our shit, and then finally we channeled all of this stress and DBM was born.  At which point, of course, we’re smiling because for the time being, we’ve forgotten about all of the ills inside and outside.

The first DBM recording was a total raw draft that was recorded on cassette tape. Feeling the vibe from that first draft, Maggie went home and started playing her acoustic. From there, she wrote the lyrics for DBM. I don’t know what made her decide to record what she was working on, but I’m so glad that she did.

Awesome was the first thing out of my mouth, when she shared the home-recording with Hanna and me. She did all of the recording for the DBM version on LLS&M by herself! Even the whistling, the effing whistling.

It was around the time when we were finishing up with the LLS&M album. So, we were so excited about including DBM on the album. It was the perfect ending piece.

After LLS&M came out, we hoped to come back to DBM with the whole band. And we so did last Saturday. I can’t tell you how excited I am about this song. Listening to it is like witnessing the sun about to set, you’re cruising down a road, and all you feel is this summer breeze. Maggie said it: DBM is very visual. You get the feeling of going across the country.

We can’t wait to share this experience.

The Love Lust & Sci-fi Monster’s Death By Meterorite version: Death By Meteorite

Chapter 3. Revised

February 20, 2009 cocoyea 1 comment

See Chapter 1 & Chapter 2.

De moon had settled itself dat night in de middle of de sky so everybody could see it. De neighbors were comin out with dere Vat 19th and Coca Cola. Somebody with ah spoon–ah melody pulsatin on half ah bottle. De quarto player was takin another sip. Feelin de spirit, he play ah devil of ah tune. From house to house, dey moved with gaiety in deir steps and was greeted with de smell of cloved ham, fruitcake and sweet bread. Little children yelled out to deir mothers dat de parang players are here.

Even dough tings were as dey were–poor people still strugglin to make ends meet–dat Christmas in ‘78, it seemed as dough God was lookin down on we. We still was poor, but people could at least afford some new paint for de steps, and some new curtains to replace dem old ones dat we just take down, wash, and put back up. It was all because dem white people was all of sudden interested in de oil in Fyzabad. Now dat was Christmas. Even dough tings was dare, people could taste a real apple and a pear, just like in de States. Yeah man, it was nice dat year Njeri turned two.

“Where you think you going Achaia.”
“I goin wit you.”
“What, lookin like that…”
“And who to blame for dat…” Quiet.  Brisk footsteps.
“Ah sorry…Ah didn’t mean dat Comrade.” He cuffs her down.  Quiet.
“Don’t ever talk to me so.”

She holds her belly, and withdraws into a ball.  He turns away and lights a cigarette. She listens to his footsteps, slapping the pitch, walking hard towards his 280 C.

As the car speeds away, a boy, a skinny little boy, in khaki shorts, runs out the house. He leaves behind his sleeping sisters, Serena and Njeri. His bony arms struggle with the intention of saving his mother and the baby inside of her. He pretends he has the Incredible Hulk’s arms, strong enough to carry her pregnant body to the verandah, and then to safety: his parent’s room.  Finally, he begs, “Mammy,” he begs, “per yuh hand on de gate.”

Carefully, they walk to the concrete steps where they both sit and wait in silence. He rests his arm on her shoulder. He stares at her as she props her head showing off her heated face. He stares at her tears rolling down her cheek, and he says what he always, “Mammy, doh worry, wen ah get big and rich, I go take care of you.”

Short breaths escape from the other room’s wooden walls; the sound of her hand soothing her polyester belly; buckets being filled with water, restless with splashes, chatter, giggles from women and children by the standpipe outside; and the occasional car up-heaving the dust from the road; completes the air. Lost to the ruffling of sheets, as the boy sits up and asks, “Mammy, daddy doh love you no more?” With her puffy red eyes, she says, “Wary, I doh know,” and sighs to a spawning cobweb in the wooden creases of the galvanized roof.

Exhausted, she pulls Wary to her chest, and says, “Look how tings change now. Ah remember wen yuh fadder wouldn’t even let a fly light on me. Huh. Now he is de fly.” She caresses the burning pain swollen across the left side of her.  ”Ah remember how he use to get on like ah was de only one for he.  And yuh believe ah didn’t even like he damn black ass. He look like he had wife and child already. Ah remember it good, all de talk bout me runnin him down.” She says sucking her teeth, then, amused she gives a slight grin and says, “Ah remember wen he come by meh house for de first time. He make bout fifty-nine trip up and down my street lookin for meh house. Ah was laughin at him. Ah tell meh cousin Theresa, yuh see dat jackass walkin dey, he lookin for me.”

I’ve been warned. The same brain that houses the mind that keeps the record of every action, interaction; so that the same mind can repeat very loudly while one’s alone in that house, with just its voice, comparing, juxtaposing any and everything of a past record with the present log of daily events.  This same mind created itself a voice.  A voice that is taunting me with doubts about how much I can be so unsure of the existence of God yet still want to live.  Especially in the company of dead lizards, sleeping with something so crippling as the web of a spider,… is

I’ve felt this before.  I’ve seen this happen.  The satisfaction in losing it to a buried gratification: destroying something I had a hand in creating. Letting it all go to a tiny trifle, to base all my regrets on and ultimately kill. Especially since I’ve put so much hope into such a fantasy.

I’d wake up and find Pieta, my only reason to be better. A fantasy so fruitful, it made me less jaded to fantastic dreams of us aging blissfully, tolerating each other’s nonsense. I leaped in, believing in magic.

I can’t stop staring at the videotape leaning there on the bookshelf. The videotape Pieta made of us having sex. She thought it would be fun, since it was in the back room of the bookstore where we worked. It was going to top that time in the park or that late night on the red line train.

I was twenty-one, so perhaps it was just like the infatuation you’d find in a Jane Austen novel. I fell for the way her eyes hid behind her tangled black hair. The teasing way she said hello, goodbye or anything at all. I had to avoid her gaze when she spoke to me. I felt that if I looked her in the eye, she’d see everything inside of me, the memories I suffocated and drowned unsuccessfully. In those stupid moments, I wanted to make her happy.

Yes.  All I wanted was to make Pieta happy.  “Really, this is what you wanted? Hahaha.”

When I first saw Pieta Melendez, she walked into the bookstore where I worked after classes at G.W. and on the weekends.  I acted indifferent when she asked if we were hiring.  As  she rummaged through her purse for a pen to fill out the application,  I pretended not to be distracted by her perfume.  It dominated everything I’d smell for the rest of that evening. I was already so infatuated that I kept her application, and threw away the rest.  I read her answers, and kept recreating who she was. Who she might be.  I neatly placed Pieta’s in Roger’s mailbox with a note, “She sounds prefect for the position in Inventory.”

I was in a cloud somewhere, fanciful, floating around with the idea that it was better to see her everyday, to witness her peacock dance than having to deal with the disappointment of never seeing her flair her colors ever again.  I felt I could live with this compromise.  Compromise, because I had suspicions, that she had some boy lurking.  And my suspicions were right.  There was a boy.  ”Well of course… idiot!”

Six months later, and winter was nearing its end, Pieta and I had only been seeing each other for two months when I finally revealed to her how I truly felt, that I was already in love.  She told me she felt the same.  I was in la-la-la land.  I knew she was still sleeping with her ex-boyfriend.  She lied about those nights when she wasn’t developing her photos in her father’s basement darkroom.  She was over at Darren’s.  But I was in la-la-la-land, believing her every word. I even tried to forget when Darren started leaving me messages, “Dyke bitch, you’d better watch your back.” I should have ended it then.  She finally confessed and told me, she was still sleeping with him.  A man who threatened to kill me every night she wasn’t with him.

“Mail the tape.” I pick up my address book, and flip through the pages until I get to M. I see her hand writing. Her name: Pieta Melendez.  Her address: 3803 Brentwood Ave, Silver Spring, MD 20222. I throw the book in a corner, and I hear his teasing:  “I knew you couldn’t do it.  You’re such a coward.”

I take a swig of J&B, and contemplate sending the videotape to her parents.  It fills me with a sort of grace, a chameleon grace. I imagine the gratification of exposing her secret.  This reclaims the surrender I’ve been wanting. I put out my last cigarette on the icy ledge. I take another swig, hoping it is enough to preserve this now invigorating hate, drowning the memory of her indifference.  As I remember her walking into the Warehouse Next Door’s back stage.  She’s holding a drink that she occasionally sips. Choking, I try to cough it up.  But the memory keeps me still, as beads of sweat run down my torso.

This want wasn’t overnight though. All the reasons I should use this tape is a bridge, leading to more than Pieta’s pretty mouth. I’ve seen more. The secrets I hushed into a ghostly room, ransacked now when I had let her in.  I fear this gratification would change me into something I ran away from. A million miles away.

This same mind of mine that created itself a voice, solely searches for just these pieces that are meant to kill, and throws them like sharp daggers at me. And I’m in that dream again, dreaming of death no longer a million miles away.

I couldn’t hold her anymore, like the time Dr. Parrot–he has a funny mustache and a white coat and was taller than me, taller than everyone–said my mother was having a nervous break-down. I remember this, but it feels like a dream, seeing my mother drooling one sided on a white pillow, sleeping. Talking to herself, sleeping. She couldn’t recognize any of us at the hospital, and even when we brought her home. She screamed at me to stop following her, as she crashed into the corridor’s green walls. She believed I was the demon walking behind her every step.

She cried everyday then. At night, I’d keep her company. Climbing into her bed, my seven year old arms tried to reach each other as I held her. Too small for her, I still held on, so she won’t fall, saying, “I’m here, so never let go.” Every time I remember this moment, I’d hold on whispering in her ears, “Forget about him.”

Taller now, walking, leaving, closing doors behind me. With long legs, running faster than words, when words are too convincing, I have long legs faster than his words, “I didn’t do anything to your mother;” and her nonsense, whispering without a body. I am faster than her slippers, dragging in the darkness. When I have long legs to outrun them both.

But how do you successfully outrun them, when you can’t even measure their volume? How do you find the circumference for their pain and speak of it? How do you measure it, as their sound is louder than your own words? I open my mouth to scream, but nothing comes out.

This hate, this want for revenge, all of it makes complete sense. Or does it? Maybe it’s still a fabrication even when I want to realize the desire. Layering with every move I make. I see it everyday setting in, troubling my eyes particularly. I feel it now illuminate the moments I wait… When no one is there, tolerating the sun dimly shining through the sheets. When each day is as identical as the last, I arrive from the hidden: blood-shot and blue velvet. Greeting another morning the Lord has so graciously made with nocturnal eyes. I’d look to the medicine cabinet’s mirror, only to shun the confused image. Haunting me from skyscraper windows trying to keep clean, trying to surpass each other, I’d struggle to refute its reflection. I’d see the patch filled gray, halfway configured shadow, behind me, reflected through the steel of the Metro machine. Sharply shifting out of focus–impatiently waiting as I take too long to buy my fare card–I’d feel it wanting that closure of being numb. Being dormant for however long, only to be roused again by a variety of details my mind collected.

I drink the last of the whiskey, and I suddenly know why I get up every morning: to ride the overcrowded so-called greatest trains in the US.  Greatest, because they work 24-7, even when it takes forever to come, you can’t understand the conductor announcing that it’s not the train you believe it to be, and the transfers, the circles you make to get to your destination.  When, at the end of it all, hope will outlast me. Coming to any room with a mirror, I imagine leaping out, letting hope outlast me.

The phone rings, and without looking, wanting it to be Pieta, I answer.
“Hello.”
“Jeri? It’s Gary. What happened today, I was expecting to see you at 5:00. Is everything O.K.?”
“I wass real ly ti red after the tripp. Guesss I over sslept.”
“It sounds like you’ve been drinking. What happened in D.C.? Sorry I didn’t pick up last night when you called. We could meet somewhere and talk if you like.”
“Can I call you back?”
“Why, what’s going on?”
“Leymme call you back.” I hang-up.

The phone rings, it’s him again.  I sit staring at the phone, confused by it’s urgency, about whether or not I should answer it. I get the feeling something bad will happen if I don’t.  I light another cigarette and watch the superstition float around the room in circles.

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February 19, 2009 cocoyea Enter your password to view comments

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Lyfe

February 18, 2009 cocoyea 3 comments

I thought I’d try writing something fun.  Here’s my attempt at alliterative verse.

Living in lustful love with another
letting lunacy’s lingering lull end
and to never come again…To be
brilliance as a besake, with brighten
becomings for beholders, who beguiles
being as befitting beliefs while betwichted
with blasphemy’s backdoor. To be aware
to antagonise the anti-freedomist
and awaken the spirits of the dead.

Yes Mommy Dearest

February 16, 2009 cocoyea 4 comments

One of my pet-peeves is seeing people standing around doing nothing.

Then spin

a wheel of string
rope to play hangman with
buy time making
cardboard sleeves

just in case

drench a spineless shirt wet
without purpose
groove a grave in.

Hot coffee burns
lukewarm finger tips
nervously preparing
another lie–

There’s always something to be

Re
Dun
Dun
Dun
Dant:

paper
napkins
styrofoam
cups
plastic
spoons
sporks
forks
knives
                           Go Here!!

Swab slabs for red tape feelers
appearing in the dark
early morning’s stock rooms

after-hour cheap cockroaches
re-stock stocked shelves
a different kind of vermin
catches clockwise
the wheel churning
dynamic stale Splenda

an apron in slow motion
a smorgasbord of the top ten
most talented
next showcase:

Insecure Specials
End
less
List
less
events in Crayola:

Italian Panini
amused eyeballs
Cuban Sub
electricity
Cajun Chicken
clapping to attention
Tuna

Big smiles at the door
clean floor needing a good scrub.